Pôr do Sol em Cape Cod, Estados Unidos (Cape Cod Sunset) - Edward Hopper Cape Cod - Estados Unidos Whitney Museum of American Art, Nova York, Estados Unidos OST - 74x92 - 1934

Noite Azul (Soir Bleu) - Edward Hopper Whitney Museum of American Art, Nova York, Estados Unidos OST - 91x182 - 1914

Autorretrato (Self-Portrait) - Edward Hopper Whitney Museum of American Art, Nova York, Estados Unidos OST - 64x51 - 1925-1930 Although Edward Hopper drew and painted numerous self-portraits in his early years as an artist, this is one of the few he completed during the mature phase of his career. Around 1918, Hopper made an etching in which he portrayed himself wearing a hat. In Self-Portrait, he preserves the pose of this earlier image, while his mature and thoughtful appea

Ponte Queensborough, Nova York, Estados Unidos (Queensborough Bridge) - Edward Hopper Nova York - Estados Unidos Whitney Museum of American Art, Nova York, Estados Unidos OST - 65x96 - 1913

Estátua na Entrada do Parque (Statue at Park Entrance) - Edward Hopper Whitney Museum of American Art, Nova York, Estados Unidos OST - 61x74 - 1918-1920

Moça Dormindo (A Maid Asleep / A Woman Asleep / A Girl Asleep / Slapend Meisje) - Johannes Vermeer Metropolitan Museum of Art, Nova York, Estados Unidos OST - 87x76 - 1656-1657 Texto 1: This picture is possibly Vermeer's first effort in the field to which he devoted nearly all of his mature career: scenes of domestic life, usually focusing on a woman's personal surroundings. It probably dates from 1656 or 1657, following Diana and Her Companions of about 1653–54, Christ in th

Jovem com uma jarra de água (Woman with a water jug / Young woman with a water pitcher / Vrouw met waterkan ) - Johannes Vermeer Metropolitan Museum of Art, Nova York, Estados Unidos OST - 45x40 - Circa 1662 Texto 1: Standing at an open window, a woman begins her day with ablutions from a gilt silver pitcher and basin, with linen coverings protecting her dress and hair. The first work by Vermeer to enter an American collection, this painting embodies the artist’s interest in

Rosas (Roses) - Vincent van Gogh Metropolitan Museum of Art, Nova York, Estados Unidos OST - 93x74 - 1890 On the eve of his departure from the asylum in Saint-Rémy in May 1890, Van Gogh painted an exceptional group of four still lifes, to which both The Met's Roses and Irises belong. These bouquets and their counterparts—an upright composition of irises (Van Gogh Museum, Amsterdam) and a horizontal composition of roses (National Gallery of Art, Washington)—were conceived as a

A Noite Estrelada, Saint-Rémy-de-Provence, França (De Sterrennacht / The Starry Night) - Vincent van Gogh Saint-Rémy-de-Provence - França...

Nighthawks (Nighthawks) - Edward Hopper Nova York - Estados Unidos The Art Institute of Chicago, Chicago, Estados Unidos OST - 84x152 -...

Uptown & The Bronx, Buenos Aires, Argentina Buenos Aires - Argentina Fotografia Bar de drinks com temática do Metrô de Nova York em...

1807, Friedland / Atual Pravdinsky, Rússia (1807, Friedland) - Jean Louis Ernest Meissonier Friedland / Atual Pravdinsky - Rússia...

Terraço em Sainte-Adresse, França (La Terrasse à Sainte-Adresse) - Claude Monet Sainte-Adresse - França Metropolitan Museum of Art, Nova...

Sistema de Metrô de dois andares utilizado na Broadway / The double-deck subway system applied to Broadway, Nova York, Estados Unidos...